photo by kelly connelly
Al Great has released The Take, the follow-up to last year’s The Heist. This effort is another solid one from this very talented and prolific Baltimore MC. There are a bunch of guests on here, and they all fit the flow of the project nicely. There’s something Nas-and-AZ-ish in the lyrical back and forth Of “Give and Go”, with Duce Wayne. Another standout is “Is It Really Me”, which samples one of my favorite groups, Love Unlimited Orchestra. Daysia Starr does a wonderful job singing over the hook. (As with other songs I’ve heard her on, she does not over-sing–which is kind of rare and very appreciated these days.)
Production on The Take is shared by Heist and E. Hill, whose styles of production are somewhat similar. One beat that really stood out to me was “Blinders”. The song features Suffolk, VA’s Jet Noise Cardi, who does a fine job with it, but it’s Al’s flow on this one that made me rewind–the aggressive flow isn’t one I’ve heard much from Al, but he does it well.
Click the cover (with artwork by @raggsman) below for a free download of The Take.
DDM, better known as Midas to many, invades the 7-11 across from Mondawmin for a quick freestyle over the “Benjamins” beat. This is one-minute and 24-seconds of high energy fun, captured by Max Milli.
Dirt Platoon is one of my favorite groups in Baltimore to see live, but I don’t think I’ve ever really had any of their recorded music. Tom Delay, who produced this track with R. Taylor, sent me the link to this video for “Pennsylvania Avenue”, which features notorious former drug kingpin Melvin Williams. The song, as the title so clearly suggests, is about Baltimore’s famed Pennsylvania Avenue, a westside thoroughfare with a rich history. Little remains of the active cultural scene that once thrived there, but the Pennsylvania Avenue is still an area abounding with Baltimore’s unique character. This song and video–both with a bit of a rugged 90s underground feel, without looking or sounding dated–capture it well. The video was directed by Profitt Prod.
This is probably my favorite Height song I’ve heard so far. I thoroughly enjoyed this video, as well, although I must admit I’m not really getting the symbolism of the coffee maker. Maybe additional views and listens will get me there. And if not, no matter, really–I’ll still love the song.
I ran into Profitt at Best Buy yesterday. Profitt is one of the more prolific artists in the Baltimore hip hop scene–it seemed as if every time I used to run into him at shows and such, he had a new CD to give me. More recently, Profitt has been trying his hand at video directing, and I guess he is just prolific by nature, as he told me yesterday that he has done nearly 70 videos since he first started doing them less than a year ago. He clearly has the eye for it, as evidenced by what I think is his best work (although I haven’t watched all the others), the video for Skarr Akbar’s “Ventilation”.
The gritty black and white video lends the perfect complement to Skarr’s introspective, slightly gloomy track. Check it out:
To see more of Profitt’s video work, visit his YouTube channel.
Looking through my old myspace blog just now, I had forgotten how much I used to post. It was fun to re-read stuff I hadn’t looked at in years. (If you have any interest in taking a walk down part of my memory lane, click here.)
photo by kelly connelly
E Major released his new mixtape today. I’m downloading now–if you’d like to do the same, click here.
( I had previously posted these photos on myspace–just wanted to add them here, as well.)
Check out this new video from one of the hardest working MCs in Baltimore, Mullyman. Directed by Tabi Bonney, the video complements the song well, with its hyper-quick edits. Check back soon for photos from Mully’s most recent video shoot for “Step Aside”, a new song with DJ Booman and Jimmy Jones.
I’ll have a piece or two available for sale at this event, which benefits the Creative Alliance. Hope to see some familiar faces there!
i’m posting this–the black sunn’s recently released album, godsound–much later than planned. but you know what i say (far too often, probably): “better late than never!”
i haven’t spent a whole lot of time with this album yet, but i am again impressed with black sunn’s thoughtful lyrics and ear for beats. check it out here.
(cover photos by yours truly. toot, toot!)
feast your ears on this spankin’ new baltimore remix of dj quicksilva’s “where they do that at”
the remix features mullyman, bossman, skarr akbar, smash, tiara laniece, japiro, barnes, q, comp, paula campbell, 100 grand man, and los. lots of quotables here, but japiro’s line–and, obviously, i’m paraphrasing here–about being over 25 with souljah boy as a ringtone on a cricket phone was one of my favorites.